Digital Transformation in the Creative and Cultural Industries: A Bibliometric Analysis of Computational Trends
DOI:
https://doi.org/10.69639/arandu.v13i2.2315Palabras clave:
bibliometric analysis, computer science, creative economy, VOSviewerResumen
The article analyzes scientific information on the evolution of computer science in the creative and cultural industries, an approach that has been consolidated as a driver of the global economy, fundamentally based on knowledge, innovation, and creativity. A search of documents was conducted in the Scopus databases (1983-2025) to analyze the central themes and the most influential authors. The research was developed in three phases: (1) search criteria within the research field, (2) performance analysis, and (3) results analysis. The results showed a steady increase in the production of studies, particularly since 2019, focusing primarily on the areas of digitalization, innovation, and artificial intelligence. The authors with the highest number of publications originate from China, Indonesia, and Malaysia. The research determines the convergence between computing and creativity, which constitutes a strategic opportunity for global development. It is suggested that future studies be expanded to include other sources and temporal contexts.
Descargas
Citas
Anantrasirichai, N., & Bull, D. (2022). Artificial intelligence in the creative industries: A review. Artificial Intelligence Review, 55(1), 589-656. https://doi.org/10.1007/s10462-021-10039-7
Anantrasirichai, N., Zhang, F., & Bull, D. (2025). Artificial intelligence in creative industries: Advances prior to 2025. arXiv:2501.02725. https://doi.org/10.48550/arXiv.2501.02725
Caves, R. E. (2000). Creative industries: Contracts between art and commerce. Harvard University Press.
Chowdhury, S., Budhwar, P., Dey, P. K., Joel-Edgar, S., & Abadie, A. (2022). AI-employee collaboration and business performance: Integrating knowledge-based view, socio-technical systems and organisational socialisation framework. Journal of Business Research, 144, 31-49. https://doi.org/10.1016/j.jbusres.2022.01.069
Department for Culture, Media and Sport. (1998). Creative industries mapping document. DCMS.
Dharmani, P., Das, S., & Prashar, S. (2021). A bibliometric analysis of creative industries: Current trends and future directions. Journal of Business Research, 135, 252-267. https://doi.org/10.1016/j.jbusres.2021.06.037
Donthu, N., Kumar, S., Mukherjee, D., Pandey, N., & Lim, W. M. (2021). How to conduct a bibliometric analysis: An overview and guidelines. Journal of Business Research, 133, 285-296. https://doi.org/10.1016/j.jbusres.2021.04.070
Doshi, A. R., & Hauser, O. P. (2023). Generative artificial intelligence enhances creativity but reduces the diversity of novel content. arXiv:2312.00506. https://arxiv.org/abs/2312.00506
Duffy, B. E. (2016). The romance of work: Gender and aspirational labour in the digital culture industries. International Journal of Cultural Studies, 19(4), 441-457. https://doi.org/10.1177/1367877915572186
Elkins, A., Thomas, J., & White, R. (2017). Creative technology and innovation ecosystems. Journal of Creative Technologies, 22(1), 78-95.
Florida, R. L. (2002). The rise of the creative class: And how it's transforming work, leisure, community and everyday life. Basic Books.
Florida, R. (2019). The rise of the creative class, revisited. Basic Books.
Garnham, N. (2005). From cultural to creative industries: An analysis of the implications of the 'creative industries' approach to arts and media policy making in the United Kingdom. International Journal of Cultural Policy, 11(1), 15-29. https://doi.org/10.1080/10286630500067606
Hartley, J. (2005). The evolution of creative industries concept: From cultural policy to economic development. Media, Culture & Society, 27(3), 398-415.
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2026 Idarh Matadamas, Lorenzo Alejandro Matadamas Torres, Luis Alberto Alonso Hernández , Manuel de Jesús Melo Monterrey, Moisés Adrián Hernández Luis
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Esta publicación está bajo una 